
AFRO-MEXICANS Discourse of Race and Identity in the African DiasporaBy Chege Githiora This book is about a little known branch of the African Diaspora—Afro-Mexicans. It discusses their conditions of arrival and establishment in Mexico within the context of Spanish colonialism, and the race-based socio-economic hierarchy known as sistema de castas which provided a basis for the contemporary socioracial terms that are the focus of the main study: indio, blanco, negro and moreno. Today, these terms are used ubiquitously in variable ways as tags of social identity in Mexican discourse. An ethnographic sketch of a representative Afro-Mexican community located in the state of Guerrero then provides |

AFRICA AND THE THIRD MILLENNIUM,Edited by George Klay Kieh, Jr. There is a general consensus that Africa entered the twenty-first century plagued by multifaceted crises of underdevelopment evidenced by, among other things, abject poverty, the inadequacy of basic human needs, social stresses and tensions in the various major urban centers, environmental degradation and the devastating effects of violent civil conflicts. While there is no doubt that slavery and colonialism have contributed to the continent’s predicament, the failure of the neo-colonial state |

EARLY SOYINKAby Bernth Lindfors This book contains half a dozen essays on writings by Wole Soyinka composed prior to publication of his first books in 1963. These early works reveal his precocious talent as a writer of stories, dramas, essays, letters, humorous sketches and jokes, the argument being that they cannot be dismissed as juvenilia or immature scribblings for they already exhibit an impressive command of language as well as dexterous handling of techniques of characterization and plot construction. Later essays deal with formal aspects of the plays he published between 1963 and 1973 |

THE RAPE OF FATIMAH A Playby Nabie Yayah Swaray The Rape of Fatimah is a metaphor and allegory for the rape of Sierra Leone and the innocent young girls, who like Fatimah, lost their virginity in the most violent and inhumane way. Let the play speak for those victims: “For murder, though it has no tongue, will speak with the most miraculous organ.”
The Rape of Fatimah is an African tragedy that seeks to unearth the complexities of Africa’s political and moral dilemma. In short, the rape of Fatimah is the rape of Africa. The only cruel irony about this rape is that Africans are to blame. |

RESISTANCE, INSURGENCE, AND IDENTITY The Art of Mari Evans, Nelson Stevens and the Black Arts Movement By Robert L. Douglas
Resistance, Insurgence and Identity: The Art of Mari Evans, Nelson Stevens and the Black Arts Movement is an inquiry into how art was used to express the discontent and aspirations of Black America during the turbulent sixties and seventies. |